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I E W I N G S
Comments on Japanese
Films I Happened to Watch One Weekend
My principal interest right now is watching as many Hong Kong films
as I can. I'm still a new HK fan, after all. As a result, though, my
interest in other Asian films has been piqued. Here's a sampling of
four Japanese films that I rented and watched one weekend. To learn
more about Japanese cinema, visit your local library or Midnight
Eye, an excellent web site devoted to a wide range of Japanese films.
Branded to Kill
1967.
91 minutes. Directed by Seijun Suzuki.
Movie: It would be difficult to argue with Nikkatsu Studios when it
claimed that director Suzuki's most recent films 'made no sense and
no money.' Yet here's a case where altruism was called for on the part
of the studio. This black-and-white, existential, head-spinning drama
is a minor work of art. The plot, such as it is, centers on an assassin
trying to kill off other highly-rated professional killers so he can
become #1. His wife lays around their strangely-designed and huge apartment,
naked most of the time and seemingly sex-starved. But he develops an
attraction to a withdrawn woman who picks him up in her convertible
one rainy night, and, well, though much of what happens defies easy
understanding, the visions that unfold on screen are compulsively watchable.
Medium: Criterion DVD quality is excellent.
Recommendation: Buy. (10/6/01)
Gonin
1995.
109 minutes. Directed by Takeshi Ishii.
Movie: Beginning with a scene that could be either a nightmare or a
freshly-bandaged wound ripped wide open, Gonin announces that it will
not pay lip service to the demands of reality. Five men come together
to rob a gang of modern-day Yakuza - one of the men owes a large sum
of money to a second gang. Something goes wrong, of course, and very
quickly a particularly nasty assassin (Takeshi Kitano) and his submissive
sidekick hunt down the men. The violence is often quite bloody, and
the distance between the camera and the participants only makes its
explicit nature more horrifying - imagination fills in the sickening
details. Relationships and plot mechanics remain murky, but such incidentals
are beside the point. Writer/director Takeshi Ishii displays style to
burn and an incandescent desire to leave the viewer scarred and whimpering
softly. He succeeds on all counts.
Medium: Ocean Shores DVD quality is adequate. Burned-in subtitles are
sometimes difficult to read.
Recommendation: Rent. Highly recommended. (10/5/01)
Kikujiro
1999.
122 minutes. Directed by Takeshi Kitano.
Movie: Kikujiro is a gentle, carefully crafted story about a young boy
who ends up on a road trip with a disreputable neighbor. Masao has been
told that his mother is away in another town working and that is why
he must live with his grandmother in the city. He misses his mother
terribly and becomes determined to visit her. Very reluctantly a neighbor
(played by Kitano), called simply "Mister" by Masao, is put
in charge of escorting the boy to see his mother. The trip is eventful
to the extreme, yet each carefully framed episode unwinds at an unhurried
pace under the watchful eye of Kitano. A lot of deadpan humor rolls
by as well, and though the film feels a bit long at 121 minutes, the
delight of a storyteller filling in all the details is pleasantly evident.
Medium: Columbia/Tri Star DVD quality is excellent.
Recommendation: Rent. (10/5/01)
Tokyo Drifter
1966.
82 minutes. Directed by Seijun Suzuki.
Movie: Tetsu is a gangster set adrift when his boss decides to go straight.
But a rival gang boss wants to completely dominate Tetsu and his boss.
Or something like that. Set against garishly colored and wildly beautiful
sets, neon signs, and beautifully composed winter landscapes, Tokyo
Drifter stumbles around a bit as far as making sense, but never misses
the mark as far as mid-sixties cool and jazzy elegance.
Medium: Criterion DVD quality is excellent, especially considering the
age of the film.
Recommendation: Rent. (10/6/01)
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