R E V I E W
The
Suspect
Tai Seng / 1998 / 109 minutes
Directed by Ringo Lam Ling-Tung
Written by W. K. Lau, Ringo Lam Ling-Tung
With Louis Koo, Simon Yam, Julian Cheung
B A C K G R O U N D : director,
in cinemas, recent and related films
Ringo Lam followed up the acclaimed Full
Alert with this political thriller.
The film played in Hong Kong cinemas for two weeks beginning on July
16, 1998, but had to be considered a box office disappointment, grossing
only HK $4.5 million.
Lam next directed Victim. His
most recent effort is the American film Replicant.
M O V I E : plot, performances,
production, rating
Plot: Don killed someone in his youth. Immediately upon his release
12 years later he is dragged into the assassination of a political figure
by his old boss. But Don wants nothing to do with his former life .
. .
Performances: The performances in this film were a bit problematic
for me. Louis Koo Tin Lok does not bring a lot of passion to the central
role of Don. He maintains one look on his face, and it was hard to identify
with him or empathize with his struggles. Similarly, Julian Cheung Chi-Lam,
as his former brother-in-arms Max, decided on one facial expression
and stuck with it throughout. Ray Lui Leung-Wai was more effective and
enjoyable to watch as a mercenary leader, as was Ada Choi Siu Fan as
a reporter brought along, unfortunately, for only half the ride. Simon
Yam Tat-Wah is fairly cool and impassive, but, when needed for one scene,
was able to convey some genuine feeling behind his usual sunglasses.
Production: The action set-pieces deliver for the most part. Rest assured
that there is plenty of running, shooting, and the usual helicopter
hijinks. The film runs a bit long and, while the concocting of an anonymous
Asian country may have been felt necessary for the plot, the locales
also look anonymous and lack much sustaining visual interest. The cinematography
by Ross Clarkson is workmanlike. The musical score is quite good at
underscoring emotional points (music supervision is credited to Raymond
Wong and Andrew Worboys).
Rating: Category IIB. Plenty of action and violence, with some explicit
violence but not an excessive amount.
D
V D : look, sound, subtitles, features
Look: The letterboxed (approximately 1.66:1) presentation is a disappointment.
A basic "haze" is present, making colors look drab, fleshtones
indistinct, and black levels not sufficiently deep. The source print
looks fairly clean.
Sound: I listened to the DD 5.1 Cantonese audio track, and it sounded
like it was recorded in a large drum at times, with too much echo and
not enough deep and true bass . Also included are DD 1.0 (mono) tracks
in Cantonese, Mandarin, and English.
Subtitles: The yellow removable English subtitles are very easy to
read and well timed, with relatively few obvious mistakes. One added
bonus is what is missing -- the plentiful amount of English dialogue
is not subtitled, as has commonly (and distractingly) been done with
other English-heavy releases. No other subtitles are provided.
Features: Twenty chapters can be selected from a multi-page still-frame
menu. Slowly scrolling filmographies are provided for Ringo Lam, Simon
Yam, Louis Koo, Julian Cheung. A Mandarin-language theatrical trailer
is provided as well as an "international" version of the trailer
(i.e., English-language with narration); video release trailers are
also included for Phantom Lover, Naked Killer, and Beast Cops.
R
E C O M M E N D A T I O N : buy, rent, or pass?
Rent. Not a bad way to spend 108 minutes, but does not belong in the
top shelf of Ringo Lam films.
(Reviewed 7/23/01)
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