R
E V I E W : Project A
Reviewed 9/11/00 | Background | Movie
Review | DVD Review | Recommendation

Background
1983 / Buena Vista / 97 Minutes
Directed by Jackie Chan
Region 1 only
Movie: plot, performances,
production, rating
Jackie Chan hit his stride both as leading man and director in 1983s
PROJECT A. The first of his films set in the modern era (turn of the
20th century Hong Kong), Chan, at the age of 29, managed to perfectly
balance traditional martial arts, amazing stunts, and slapstick comedy.
Perhaps most noteworthy, the action flows organically from the plot
and is grounded in realism. A bar brawl between sailors and policemen
sets the tone early on: the fighting is intricately choreographed, but
when a punch lands, the false bravado slips it hurts! Even more
compelling is an exhilarating sequence midway through the film that
features a foot chase, combat with bicycles, a climb up a flagpole,
a duel in a clock tower, a brief tribute to Harold Lloyds SAFETY
LAST, and a three-story fall. American critics like to compare Chan
to silent film comics; watch PROJECT A and youll know why the
comparison is unfair. Jackie Chan is an original.
The plot is rudimentary. Pirates are holding Hong Kong hostage. Chan
plays Navy Master Sergeant Maillong, known as Dragon. The local police
captain, who has been corrupted by the criminal syndicate, continually
undermines Chans efforts to defeat the pirates. Chan overcomes
adversity and triumphs in the end. The genius is not in the plot elements,
but in the execution. Chans exquisite comic timing is evident
throughout, even as he bounces off walls and fights with props grabbed
from the set rather than traditional martial arts weapons. And as a
director, he knows just where to put the camera so as to maximize the
impact of the action sequences.
The film is not perfect. Character development is non-existent. Its
hard to keep the main plot points straight. The last third of the film
never builds to a climax and is a bit of a letdown in comparison to
the dazzling middle section. These are minor quibbles, though. Chans
relentless pace as director moves you along so quickly to the end that
youll want to watch it again right away.
Also featured in supporting roles are Sammo Hung (TVs MARTIAL
LAW) as a thief and Yuen Biao (DRAGONS FOREVER) as an initially antagonistic
policeman. Both are more than proficient as martial artists. Whats
more, Chan, Hung, and Biao were trained in the same Peking Opera school
from childhood and their chemistry when acting and fighting together
is evident.
DVD: look, sound, subtitles,
and features
The film is presented in a non-anamorphic, 2.35:1 widescreen transfer.
Considering its age and the original low-budget nature of the original
production, this may be as good as it gets. The print is clean but it
looks like the technicians had their hands full, as the contrast level
strobes a bit within certain scenes and color vibrancy is variable and
slightly dull. The limitations of the original print become apparent
especially during the fight in the clock tower; Chan and his opponent
disappear at times into the muddy dark background, then reappear when
stepping into the better-lighted part of the set. Frustrating to be
sure, but such obvious lapses are infrequent.
In general the color scheme is accurate and blacks are fairly deep
if not altogether rich. Fleshtones are quite natural, to the extent
that the variation in set lighting is apparent. Overall a very pleasant
viewing experience.
The only audio option is English Dolby Digital 5.1 surround. The front
speakers are active and the depth of the sound field is present without
being enveloping. The surrounds are atmospheric and not particularly
directional. The .1 LFE is almost entirely inactive, though, even during
the scenes that feature explosions prominently. On balance, the new
5.1 remix is a definite bonus.
Chan dubs his own voice here and does a good job. Most of the voice-over
artists used are adequate, although a couple sound too cartoonish for
my taste. Its disappointing that the original Cantonese-language
track was left off. Theres nothing like hearing actors express
themselves in their native tongue. In addition, I have read elsewhere
that the music has been changed. Without the original release at hand
for comparison, I cannot comment; however, I will say that the musical
soundtrack neither enhances nor detracts.
English closed captions and yellow English subtitles are included.
No other language subtitles are available. Here is one side point of
interest: the jacket copy and most reviews I have read refer to Chan
being a Coast Guard officer. However, the subtitles consistently refer
to the Navy, while the Coast Guard is never mentioned. A small point,
but worth mentioning.
If for nothing else than to recognize its important place as a cornerstone
of modern Hong Kong cinema, PROJECT A deserved a special edition. Sadly
there are NO supplements, save two full-frame home video trailers --
for Jet Li films (THE ENFORCER and FIST OF LEGEND) at that! To add insult
to injury, the outtakes that originally ran under the closing credits
have been cut. This was the first of Chans films to feature outtakes
(an idea he borrowed after participating in Hal Needhams THE CANNONBALL
RUN) and it is a shame that they were left out of this package.
A one-page sleeve with the cover photo and the 18 chapter stops is
included in the keepcase. Although the running time on the jacket is
listed as 105 minutes, the film itself is just 97 minutes long.
Buy, rent, or pass?
Ever since RUSH HOUR hit it big, the back catalog of Chans films
on DVD has become increasingly available. With so many titles on the
market, it may be difficult to decide where to start. Rest assured that,
despite the lack of supplements and the absence of the original-language
audio track and outtakes, you wont go wrong with PROJECT A.
Editor's note (added 3/9/01): Note that this version has been cut.
For more details, visit Asian
DVD Guide.
Additional editor's note: This version is no longer recommended. Please
click here for a review of
the recommended Mega Star disk.
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